Botticelli in the Fire & Sunday in Sodom presents wildly apocryphal retellings of two events—one historic, one mythic—that reconsider the official record through decidedly queer and feminist lenses. Botticelli in the Fire imagines the famed painter Sandro Botticelli as an irrepressible seeker of love and pleasure, caught in sexual and political brinkmanship. In Sunday in Sodom, Lot’s wife, Edith, tells of the Biblical destruction of Sodom and Gomorrah, but set in the present day.
"Jordan Tannahill’s two-play volume explores the fragility of social consensus in a world made uneasy by the forces of social division. Both plays are poetic, irreverent and funny, offering the pleasure of entertainment while displaying masterful literary ability. Tannahill possesses a powerful artistic voice that reflects where we come from, who we are and who we may become."
Peer assessment committee: Rosa Laborde, Ian Ross, Kent Stetson, C.M.
Jordan Tannahill is a playwright, author, and filmmaker. Jordan’s plays have been translated into multiple languages and honoured with various prizes, including a previous Governor General’s Literary Award for Drama (in 2014), the John Hirsch Prize, and multiple Dora Mavor Moore Awards. In the last year, Jordan’s play Late Company transferred to London’s West End; his virtual-reality piece Draw Me Close premiered at the Venice Biennale; his debut novel Liminal was published by House of Anansi; he premiered his play Declarations at Canadian Stage; and he collaborated with Akram Khan on Xenos, currently touring internationally.